Just who’s in charge of the cattle anyway?!



“Uruz (Strength)” – 4″x6″ mixed media collage by Patricia Robin Woodruff

The prehistoric auroch was a symbol of wild strength and is tied to the symbology of the Norse rune Uruz which means strength and virility. The auroch was almost as tall as an elephant, had huge horns that could span four feet across and roamed wild. Amazingly enough, this animal existed until 1627, when the last one died in Poland. I believe this to be the reason there’s a bit of confusion on which Slavic god is associated with cattle, since both Veles (Lord of the Underworld and the Wild Wood) and Perun (Lord of Thunder and Sky) have them as sacred animals.

Part of the problem lies in the association of Perun with Jehovah and the thought of him as a “supreme god” ruler over the others. This is a mistake. Perun is simply the god of lightning, holding no more supremacy than any other deity of the Slavic pantheon. He is the balance of Veles, like the right and left brain, logic and emotion, summer and winter, yin and yang.

Perun’s animal is usually listed as an “ox,” which is a domesticated, castrated bull, as opposed to the wild auroch that lived roaming in the woods and was the symbol of primitive instinct. I believe Veles’ animal was the wild auroch. When that animal became extinct, the domesticated cattle were substituted. So Veles is the Lord of the Wild Wood, but also is appealed to to watch over the domesticated herds.

In researching this I came across an article that talks about bringing back the huge auroch. Since they have the DNA sequence, they can back-breed the traces that have been left in modern cattle to reconstruct this extinct animal. Is that cool or what?!

The work continues on the three-volume set of Slavic Magic, which will cover The Gods & Spirits, The Wheel of the Year, & The Tools of Magic.  Aiming for a release date of Spring 2018.  For a sneak peek:  The Roots of Slavic Magic: Finding Our Way Back to Balance

  • Patricia Robin Woodruff

The Mystery of Incan Stirrup Vessels


CondorJaguarSnakeMy daughter and I saw this stirrup vessel in the Larco Museum in Peru.  It represents the Incan symbols for the Three Realms of the Universe.  The condor (look for his bright blue eye) symbolizes the Upper Realm, the world of the gods, celestial bodies and mountain spirits.  The jaguar (the toothy mouth on the right hand side) symbolizes the physical world that we live in, the land of birth and death.  The anaconda (wrapping around it) since it is often found swimming in the Amazon river, represents the watery underworld, where sacred springs emanate and the ancestors dwell.

These distinctively shaped stirrup vessels, with bases ranging from fruit to animals to sexual positions fill the storage rooms of the Museo Larco, over 50,000 of them!  As I looked through the collection, I felt that something was missing.  The explanation that they were “offering vessels” fell flat.  Surely there was something more about these vessels!  If they were only for liquid offerings, why the distinctive shape, and where was the scientific analysis of the liquid residue?

Once I started researching and comparing my experience with the shamanic ritual of ayahuasca, I found the answer in the shamanic beliefs passed down from the Incas.  In my book I describe my first-hand experience in ritual with a native shaman.  During much of the time, he produced a tuneless, breathy whistle to “call the spirits.”

In my past travels, I also knew of the archaeoacoustic properties of a neolithic burial chamber on the island of Malta, where ancient people used a “sound hole” to produce a mind altering standing sound wave throughout the structure.  People who study archaeoacoustics have discovered that many of these ancient pots were produced to create a whistle that generates altered states of consciousness.  So not only were these pots used to “gather the spirit” of the image they represented, they would help the shaman and the participants reach an altered mind state where they were receptive to the energies.

I gave my book the title, “The Call of the Spectacled Owl: An Artist’s Journey thru History, the Amazon, and Spirit (with Travel Tips) because the book covers a lot.  Although this trip encompassed only one country, Peru, I feel like we traveled through different worlds: the Upper Realm climbing the hills of the ancient desert temples dedicated to the Moon Goddess and the Sun God, the Middle Realm with Lima’s modern city and the scavenged city of Iquitos, and the watery Lower World of the Amazon, encompassing the lush jungle and the mystical shamanic realm.

I think I bring a unique perspective as an open-minded artist with a passion for learning all that I can about our connection to Spirit.  I anticipate that the book will be released at the end of June.  I am very excited to share this with you!

  • Patricia Robin Woodruff